'Baabul' opens to mixed reviews with the critics

By Raj Kumar, AllBollywood.com Staff
The highly anticipated Baabul, starring Amitabh Bachchan, Rani Mukherji, Salman Khan, Hema Malini and John Abraham opened today to mixed reviews. We currently have 10 reviews for the film, of which 6 are positive and 4 are negative. It is currently at a 56%, which is above average.

The general consensus of the film is that it is not as good as director Ravi Chopra's last film Baghban, and that it is a little slow at times, however it is still a decent film. While many critics rave about Baghban today, when it was released the reviews were not all positive also. Baghban still had enough good reviews to earn a 60% (which is good), however it did earn it's share of bad reviews

Baabul Public Opinion is Positive

Faridoon Shahryar, IndiaGlitz [Saturday, December 09, 2006]

Ravi Chopra’s ‘Babul’ has released amidst mixed reviews from the critics. While some have liked it, there are others who don’t think too highly of the film. We at Indiaglitz did an exclusive Public Opinion video for you guys that you can watch today.

The film is about widow remarriage and is being liked by ladies and young girls for its noble social message. The men and young lads somehow don’t think too highly of it. Comparisons with Chopra’s ‘Baaghbaan’ are inevitable. Generally people prefer ‘Baaghbaan’ over ‘Babul’. But most of the people (More than 90%) are also of the opinion that ‘Babul’ is a good movie too. Acting of Amitabh Bachchan, Rani Mukherjee and Salman Khan is being appreciated by one and all. As for Aadesh Shrivastava’s music, then the verdict is mixed too with most of the people liking it while a few finding it average. Mr Bachchan’s composition ‘Kehta Hai Babul’ comes for special appreciation.

While the critics have their own point of view, it seems ‘Babul’ is finding its audience. The word of mouth will make it even better. Another box office victory of the year is all we can say.

The Baabul Bonanza

The blockbuster of the year is almost here! What are you doing to ensure you don't miss it? Take part in the Baabul Bonanza, and get a once in a life time opportunity to own stunning memorabilia from this ground breaking film.

This classic example of meaningful cinema is made enthralling by the moving performances of the reigning stars of Bollywood! And we're giving you a chance to earn an opportunity to live the Baabul experience at a theatre near you! Answer five simple questions, give us your opinion on widow remarriages in India and win and outfit worn by the dashing Salman Khan in the film!

To take look at what you could win Click here
1. Who plays the role of Amitabh Bachchan's wife in the film Baabul?
Sri Devi
Hema Malini
Rekha
2. Rani Mukherjee's character in the film is passionate about which of the following arts?
Film making
Dancing
Painting
3. The title of the film is significant because it addresses the relationship shared between:
A bird and its mate
A woman and her husband
A father and his child
Baabul is a film that throws light on Widow remarriages in the Indian society.
Tell us in less than 100 words why this is still a relevant issue today.

To take look at what you could win

Audi A6 to make a zipping launch in Baabul

By Hetal Adesara
7 December 2006, 09:00 PM

MUMBAI: BR Films’ multi-starrer Baabul will hit theatre screens tomorrow (8 December) and with that one will also get to see the launch of the new Audi A6, priced at Rs 7 million (Rs 70 lakhs), in India.

This is the first time that Audi has taken to Bollywood to launch their car. However Audi has already appeared in diverse broadcasts such as I, Robot with Will Smith where a concept car - Audi RSQ - has been specifically designed for the movie. The car Audi A8 can also been seen in Transporter 2 - The Mission.

Speaking to Businessofcinema.com, on the reason behind Audi A6's launch in India via a Bollywood movie, Audi India country manager Rahil Ansari says, “Bollywood reflects the perfect platform for the combination of the emotions and lifestyle in India. Since a luxury car represents lifestyle and people feel personally attached to vehicles, a Bollywood movie is more than suitable for a product placement.”

Baabul stars Amitabh Bachchan, Hema Malini, Salman Khan, Rani Mukherjee and John Abraham. The on-screen father – son duo of Bachchan and Khan will be seen in various sequences in Baabul driving the Audi A6. “There is a sequence wherein Amitabh and Salman are racing their cars and also many other such scenes where the car is prominently shown,” says BR Films business head Sanjay Bhutiani.

On queried as to what the brand fit of Audi was with a film like Baabul, Ansari says, “Baabul is a typical Indian family drama that merges a modern outlook and traditions. People that look for a highly sophisticated, progressive and sporty car reflect our target group, hence successful customers. That's why Amitabh Bachchan, who plays the role of a successful business man, drives our car in this movie. The selection of the protagonists of Baabul - with Salman Khan, John Abraham, Hema Malini and Rani Mukerjee - also speaks for itself.”

The music launch of the film was sponsored by Audi in October. What’s more, Baabul and Audi will also have some co-branded promotional activity in the media.

Ansari opines, “Traditional means of advertising can be as effective as a product placement. The utilisation, however, always depends on what aim is linked with each tool. In some way, a product placement cannot be subject to zipping, zapping and channel gazing. It can also overcome passive viewer avoidance of TV ads and fragmentation of TV audiences.”

Besides Audi, there are other brands too that will make an appearance in Baabul. However, Bhutiani is loathe to reveal them at the moment.

While the branded entertainment industry for films is said to be in the region of Rs 2 - 2.5 billion (Rs 200 – 225 crores) this year; it is slated to touch the Rs 8 billion (Rs 800 crores) mark in 2008. Hence product placements in films are here to stay.

Baabul - Buddy…Time to take a break

Faridoon Shahryar, IndiaGlitz [Friday, December 08, 2006 target=_blank>

Tears for fears. Anyone… I am a sucker for sob stories and love to let the stream of emotions glide through the eyes. But whilewatching ‘Babul’ each time that urge welled up, the effect was diluted by the simplistic superficiality of the treatment meted out to a noble subject. The end result of Ravi Chopra’s efforts to highlight widow remarriage is an exercise in blatant surrogate advertising (Audi, Taj Mahal tea, Nerolac Paints, Kotak Insurance etc etc) and tons of sermonizing. If it wouldn’t have been for the caramel-popcorn-romance generated by Salman Khan, ‘Babul’ may well have been a disaster. A few goose-pimple-evoking songs are charming reasons to stay back too.

Avi (Salman Khan), the US returned dude shares a ‘buddy’ relationship with rich dad Balraj Kapoor (Amitabh Bachchan). Mum (Hema Malini) shakes a leg or two in a resplendent red sari while the father-son duo, go ‘Come on Come on’ to some hip-shaking bhangra beats. Enter kadwa karela Mili (Rani Mukherjee), Miss-Rightious-middle-class-girl who falls for Avi’s golf-tomfoolery as they pledge ‘Vaada Raha’ in a scenic-slow-motion-reverie. A quick silver marriage and a chashmish four year old Ansh later Avi meets up with his untimely fate. Time for the haggard and woe begotten Rajath (John Abraham) to soothe ‘good’ friend’ Mili’s troubled life.

The story doesn’t surprise you at any point of time. Endless procrastination to let the star value of Salman get maximum mileage results in a delayed start of the actual story in the beginning of the second half. Cinematic liberty is fine. But blatant compromises make it a shaky ride (Too much and too many advertising products sharing space with the flow of the film). The confessions of love and forgiveness happen in Harry Potter mansions with eerie candles burning freezingly. If Dad Kapoor had to think up a match for widowed Mili, why only the rockstar Rajath who seemed to be having a good time anyway with a bevy of scantily clad starlets belting out songs of passion.

The reason why Sooraj Barjatya’s ‘Vivah’ strikes a chord is due to innate conviction of the director in the aesthetics of simplicity, piousness and family values. But in ‘Babul’ in spite of the family theme, the director clearly wants to woo the younger audience by displaying ample skin show by showcasing shimmering blonde babes at several occasions. To his credit, I would also like to state that the physical intimacy between Salman and Rani in the delightfully earthy song ‘Bawri Piya’ has been presented exceptionally well. The couple seems to be made for each other and their union is a forgone conclusion.

Music by Aadesh Shrivastava is one of the highlights of ‘Babul’. Semi classical ode to romance ‘Bawri Piya’, ‘Har Manzar’ and ‘Bebasi Dard Ka Alam’ (Breathtakingly choreographed and John looking divine) are wonderful numbers. ‘Kehta Hai Babul’ (sung and composed by Amitabh Bachchan) is a fantastic song too. But at the same time, average songs like ‘Vaada Raha’ and ‘Gaa Re Mann’ slow down the proceedings.

Amongst the actors, it is Salman Khan who deserves all the accolades. This superstar- actor is aging beautifully. He has worn the best clothes, humour is seldom over the top, looks relaxed and the loving manner in which he romances Rani makes young girls go weak in their knees. Effortlessly. The cosy interactions with his four year old son are really cute. No complaints about his acting either.

Rani Mukherjee is dependable as usual to carry off the complex role of a woman who is struck by the onslaught of ravages of life. But this is not Rani at her best. Moreover, she desperately needs a makeover and a better dress designer. That full-sleeves multi coloured blouse and garish sari in ‘Gaa Re Mann’ number is grotesque to say the least. John Abraham looks lost. And dude, don’t you think a shave before your own marriage makes better sense (especially when you are looking unkempt).

‘Babul’ is touted to be an Amitabh Bachchan film. He doesn’t disappoint his fans either although he is unable to recreate the ‘Baaghbaan’ effect. His interactions with the regressive elder bro Om Puri in the later part of the film are half baked. Hema Malini is wasted. She hardly has any dialogues in the film. Alright, she looks a million bucks but she never gets a chance to really take centre stage. Her bonding with Salman and Amitabh Bachchan kindles warmth and immaculate dressing sense gives her an edge over the much younger daughter Esha. Om Puri is loud while Sarika is a mute spectator. Literally.

Director Ravi Chopra undoubtedly has the potential of making good family films. ‘Baaghbaan’ was a step in the forward direction but one can’t say the same about ‘Babul’. Somehow, the issue of widow remarriage has been tackled on-the-surface while external razz matazs has been given more importance. Sluggish pace of the film doesn’t help at all. It can easily be trimmed by at least twenty minutes. The relationships between Salman-Rani and Salman-Bachchan have been handled very well. And that alone is a reason for watching this film. Don’t go expecting too much, and you may relish a few portions. Especially if you are a Salman fan!

Baabul : Movie Review

08th Dec 2006 23.00 IST
By Aparajita Ghosh

Even a regressive subject can have its appeal if presented in the right way. Ravi Chopra does just that in his latest movie Babul , which is the story of a man going against traditions to help his widowed daughter-in-law find a new life.

The film is a wholesome package with an entertaining first half and an emotionally moving second half. Thankfully, the movie, for its most part, steers clear of soppy melodrama without compromising the emotive quotient. And the high point is its climax, which is swift and to the point.
‘Baabul’ is based on a very pertinent theme. A woman emotionally torn apart after the death of her loving husband is shown the hope of a new life by her father-in-law. The movie questions the traditions following which people turn their backs to life. In that sense, ‘Baabul’ is a pro-life film.

Amitabh Bachchan plays Balraj, a rich businessman, a loving husband and a friendly father. He, his wife Shobhna ( Hema Malini ) and their son Avinash ( Salman Khan ) make a picture perfect family.

Avinash falls in love with Mili ( Rani Mukherjee ), a painter. The two get married and are blessed with a son named Ansh.

Tragedy strikes when Avinash is killed in an accident. Mili is left devastated and utterly alone. While Balraj and Shobhna find a little solace in their grandchild, the pain of losing Avinash is too strong for Mili to bear.

Seeing her in pain, Balraj decides to bring colours back into her life. He approaches Mili’s friend Rajat ( John Abraham ) who has always loved her but never expressed his feelings. A musician settled in Europe, Rajat is willing to marry Mili.

But this decision of Balraj meets with a strong opposition from his own from the family. His wife doesn’t approve of this decision. And the stiffest resistance comes from Balraj’s elder brother Balwant ( Om Puri ), who holds age-old traditions above everything else.

Will Balraj be able to get Mili remarried? The movie’s conclusion will certainly leave you with moist eyes.

‘Baabul’ rests on the strong and dependable shoulders of acting giants like Amitabh Bachchan and Rani Mukherjee. And none of the two disappoint. Mr. Bachchan is simply superlative in his finely nuanced performance. He makes it so easy for the viewers to empathize with the dilemma of his character. He is particularly compelling in the sequence when he talks to his dead son while gazing at the stars in the night sky.

Rani Mukherjee is deft at expressing emotions. Like a chameleon she transforms the image of a vivacious and happy woman in the first half to the mourning and lovelorn widow in the latter reels. Particularly heart wrenching is the scene in which she dances with Salman’s pullover in the rain before crying out uncontrollable tears.

Hema Malini has relatively lesser footage in the film but she cuts a perfect image of grace and tenderness. Salman Khan exudes natural warmth whenever he comes into a scene. On the other hand, John Abraham is ill at ease for most of his part. His two scenes with Salman are poorly enacted. Om Puri is emphatic but over-the-top at times.

Ravi Chopra deserves credit for making a film that effectually tugs at your heart. He brings a notable contrast in the two halves of the film. The first half is funny and the second is sombre. The costumes and sets are colourful in the first half. But they turn pale in the second. Even the cinematography has been used to the desired effect.

Although the movie seems to become a little heavy on sentimentality at times, the conclusion of the story more than compensates for such glitches.

‘Baabul’ will definitely appeal to the family crowds. Even the young ‘Dhoom generation’ can find the movie eminently watchable.

Good response to ‘Baabul’

Posted at Friday, 08 December 2006 22:12 IST
Kula Lumpur, Dec 8: Salman Khan is taking very active participation for the premiere of 'Baabul' inland and overseas.

After attending the premiere back home Salman has landed in the capital of Malaysia for the premiere of the movie and GIFA (Global India Film Awards) here.

Asked about the reaction to the film, Salman said since he had to leave before the second half of the premiere in Mumbai, he was only aware of the good response to the first half.

It is worth noting here that Salman had worked in 'Baghban' under the same banner, and received acclaim for his simple and sober role.

The Baabul Bonanza

The blockbuster of the year is almost here! What are you doing to ensure you don't miss it? Take part in the Baabul Bonanza, and get a once in a life time opportunity to own stunning memorabilia from this ground breaking film.

This classic example of meaningful cinema is made enthralling by the moving performances of the reigning stars of Bollywood! And we're giving you a chance to earn an opportunity to live the Baabul experience at a theatre near you! Answer five simple questions, give us your opinion on widow remarriages in India and win and outfit worn by the dashing Salman Khan in the film!

To take look at what you could win Click here
1. Who plays the role of Amitabh Bachchan's wife in the film Baabul?
Sri Devi
Hema Malini
Rekha
2. Rani Mukherjee's character in the film is passionate about which of the following arts?
Film making
Dancing
Painting
3. The title of the film is significant because it addresses the relationship shared between:
A bird and its mate
A woman and her husband
A father and his child
Baabul is a film that throws light on Widow remarriages in the Indian society.
Tell us in less than 100 words why this is still a relevant issue today.

B-Town biggies throng Malaysian shores

By: Shaheen Parkar
December 8, 2006

Malaysia beckons B Town for the Global Indian Film Awards (GIFA) 2007 and the Hindi film crazy country is totally star-struck — right from the plane attendants to the immigration officers. On Wednesday morning, Kuala Lumpur airport had Salman Khan, Katrina Kaif, John Abraham, Bipasha Basu, Hema Malini, Esha Deol besides Ravi Chopra and family arrive on the same flight.

Though the stars were whisked away immediately to the lounge, Malaysia’s newly–introduced visa on arrival proved to be a painful procedure. It takes almost three hours to get one and the Chopra family were spotted patiently waiting for their turn. Surprisingly, he was not whisked away like the rest of the stars though it was the premiere of his film, Baabul, that was the opening attraction at GIFA.

Chopra returns to Mumbai mid-way through GIFA 2007 on Friday as he wants to be in the city for Baabul’s opening weekend.

Salman does it again

The first event at the on-going GIFA 2007 was a media meet for Ravi Chopra’s Baabul at the Palace of The Golden Horses hotel (where all the stars have been put up) followed by a screening of the film at the KLCC Towers later in the night. On the dais, John Abraham sat in one corner with music director Aadesh Srivastava and Ravi Chopra and then Salman on the other side. It’s obvious that Johnny boy lets Sallu have his way.

Throughout the meet, Sallu went on scribbling on a notepad, but was quick with his answers. In his characteristic style, he treated every question from the Malaysian and other international press (again as star-struck) in his characteristic style. “He does not like to talk about how a film does as he is terrible at it. “I thought Jaan-e-Man would do well, but we all know what happened.” Though Baabul is about treating women with respect, he admitted, “I don’t treat my women well.

But mothers and sisters I treat very well. To which, John replied, “I treat my women well!” And he admitted that he does not want to grow up mentally; otherwise life would be so boring.”

Not without them

There is not a moment when Sallu’s make-up man Ravi and bodyguard Shera leave their master’s side. Both are stuck to him and we spotted Katrina Kaif even playing second fiddle when the two guys are around.

Rani missing

Though all those who mattered in Baabul turned up at GIFA 2007 where the film is having its world premiere, Rani Mukerji preferred to skip the event. Apparently she had agreed to make it a point to attend, but she is caught up with her shoot schedules. The buzz doing the rounds is that she did a no-show to avoid any embarrassing questions.

John, Salman patch up!

Shuba-Shetty-Saha
Thursday, December 07, 2006 23:59 IST

But only for the premiere of their film ‘Baabul’ at GIFA, Malaysia

With the cold war between Salman Khan and John Abraham almost out in the open, it came as a pleasant surprise to see two of the most handsome men in the industry share the stage for a ‘Baabul’ press conference at Provogue-GIFA (Global India Film Awards) in Malaysia yesterday.

Ironically the two heroes of this film, both dressed in black, seemed sedate and sober, perhaps conscious of the rumours of them not getting along with each other. Both had different takes on every topic possible, except of course, ‘Baabul’ itself. “It’s a family film and it made a lot of sense to be a part of it,” said John.

Salman, however, said that he couldn’t watch the entire film at the Mumbai premiere the day before yesterday as he had to rush to catch his flight to Malaysia that night. “I am told that the audience was in tears while watching the second half of the film,” he said.

Since ‘Baabul’ is pro women, when asked how they treat the women in their lives, John was dumbstruck and just managed a ‘Well…’ Salman was more forthright and said in jest, “Not very well, except my sisters and mother.”

When asked about what kind of growth he has seen in his own career span, Salman said, “I have simply aged. Mentally I have not grown at all. I like that about me. I don’t like being boring.” He also said, “I like being part of family films, but obviously that doesn’t work. People want sex, cleavage and legs.”

Baabul Review

By Taran Adarsh, December 8, 2006 - 10:57 IST

Films depicting social themes were extremely popular in the 1960s and later, in the 1980s. But, of late, paarivarik themes are relegated to the small screen and even if a film-maker dares to tackle such a theme for the big screen in this era of urbane themes and multiplex films, a section of moviegoers [read critics] are quick to label the efforts as 'outdated' and 'regressive'.

But VIVAH, four weeks ago, and BAABUL, this week, prove the detractors wrong!

BAABUL tackles the issue of widow re-marriage, an issue the late Raj Kapoor successfully raised in PREM ROG [Rishi Kapoor, Padmini Kolhapure]. But comparisons between PREM ROG and BAABUL wouldn't be right, except that both talk about the rehabilitation of a young widow.

In terms of genre, BAABUL tackles a purely Hindustani issue, like the recent VIVAH. But let's quickly add that Sooraj R. Barjatya and Ravi Chopra's storytelling techniques are as diverse as chalk and cheese. While Barjatya adopts a desi approach for just about everything, Chopra takes a desi theme and gives the film an urbane feel. But the commonality is that both Barjatya and Chopra cater to the same set of viewers: Families.

Write your own movie review of Baabul
In terms of content, BAABUL has its share of uppers and downers. Fortunately, the highs outnumber the lows in BAABUL and what really takes the film to another level is its climax. It wouldn't be erroneous to state that the graph of the film takes a big jump in the last half-an-hour thanks to the apt culmination to the story. The penultimate reels are truly outstanding!

Also, any film that raises a pertinent issue ought to rest on a solid foundation -- its writing. While Achala Nagar's writing isn't tight, it isn't trite either. Agreed, the writing could've been far more convincing and cohesive, but you cannot deny that there are ample moments in the film that make you moist-eyed.

To sum up, BAABUL is a competent follow up to BAGHBAN. After attempting diverse genres from ZAMEER onwards, Ravi Chopra gets it right with BAGHBAN first and BAABUL now.

Balraj [Amitabh Bachchan] is a rich businessman with progressive modern outlook towards life. For him, family, culture and values are of utmost importance. Shobhna [Hema Malini], his wife, is more than his better half. Together, they dote on their only child Avinash [Salman Khan]. For Balraj, Avinash is more of a friend than just his son. After spending many years in the U.S., Avinash returns home to his parents. Their lives light up!

Avinash meets the pretty Millie [Rani Mukerji], a painter. They fall in love and get married. They are blessed with a lovely child named Ansh. Rajat [John Abraham], a young musician and Millie's friend, has feelings for Millie, but never reveals it to her. He is now happy for Millie and Avi. He decides to settle in Europe, pursuing his musical career.

Fate plays a cruel game and on Ansh's birthday, Avinash meets with a fatal accident. Life without Avinash is unbearable for Millie. Meanwhile, Balraj and Shobhna try to find the love of Avinash in Ansh.

Balraj cannot bear to see Millie's colorless life. He decides to find Rajat and asks him to marry Millie and help him bring the colors back into her life. But Balwant [Om Puri], Balraj's elder brother, objects to Balraj's plans. Even Shobhna is not with Balraj this time.

Will Balraj be able to fulfill his plans? Will he prove to be a father [Baabul] rather than being a father-in-law?

An issue-based film has to be tackled with kid gloves, with utmost care, efficiency and sensitivity. And Ravi Chopra does just that! Although there are several emotional moments in the film, at least three sequences strike a chord…
Hema requesting Rani to wear colorful clothes, after Salman's demise.

Salman and Rani's son feeling the presence of his father by sitting in the closet.

Rani dancing with Salman's pullover amidst heavy rains.

Any shortcomings? Oh yes! The pace drops in the second hour. While the first half focuses on light moments, songs and romance, the emotional track in the post-interval portions unfolds at a lethargic pace. In fact, the film can easily do with a 15-minute trimming to spruce up the goings-on.

Aadesh's music stresses on melody and the score is quite pleasant. 'Come On Come On Chalo Jashn Manaye' is peppy, while 'Baawri Piya Ki' is soft and soothing. 'Bebasi' [rendered with feeling by Kunal Ganjawala] is melancholic. Barun Mukherji's cinematography is appropriate. The frames are vibrant with colors. Dialogues [Achala Nagar] deserve special mention. They are fantastic!

BAABUL rests on two actors mainly -- Amitabh Bachchan and Rani Mukerji -- and both emerge trumps. Bachchan is in top form yet again and proves for the nth time that he's the 'Big Boss' as far as histrionics are concerned. He is simply superb in the climax! Rani takes her character to a new level altogether. HUM TUM, VEER-ZAARA, BLACK, K.A.N.K. and now BAABUL, you can well imagine how impressive she is if one clubs her work in BAABUL with her earlier accomplishments.

Hema Malini looks gorgeous and acts her part with amazing grace. Salman is natural and provides ample light moments. He's cute when courting Rani. John is perfect, although the dashing guy is looking pale and tired at times. What happened, John? Om Puri is loud, but that's the demand of the character. BAABUL stars a host of characters and those who stand out in brief roles are Sarika [tremendous], Sharat Saxena [very good] and Smita Jaykar [competent]. Rajpal Yadav doesn't get much scope. Aman Verma and Parmeet Sethi are forced characters.

On the whole, BAABUL makes a statement in a convincing manner. The film rests on three aces -- emotions, performances and execution -- which will attract the family audiences in large numbers. At the box-office, the strong theme has all it takes to make its target audience [families] cry with joy and its distributors laugh all the way to the bank!

Baabul: Movie Review By Sonia Chopra

8 December 2006, 02:08 AM

Baabul

Producer: BR Films

Director: Ravi Chopra

Cast: Amitabh Bachchan, Rani Mukherjee, Hema Malini,Salman Khan,John Abraham, Om Puri, Sarika

Rating: 3/5

It's often said that to change the system, one must remain within the system. And Baabul does this beautifully; clichéd enough not to rock the boat yet admirably, progressive, the film tries to maintain a balance between the two in every frame.

So there's Balraj Kapoor, played by Amitabh Bachchan, who's a traditionalist with a twist. While he believes and encourages Karva Chauth, he has strong, progressive views on widow remarriage. So when his only son Avinash dies tragically in an accident, he feels that his daughter-in-law Malvika should remarry, and not live a punished life. He encourages a romance between Malvika and Rajat (John Abraham), who's Malvika's childhood friend and has secretly been in love with her all along.

All's swell till the party poopers - the super conservative relatives vehemently oppose. Balraj's elder brother Balwant (Om Puri), is the sort who feels that widows bring bad luck to any auspicious event, and so keeps his widowed daughter-in-law (Sarika, with exactly one dialogue) within the four walls of the house. When he hears the, to-him bizarre, event of his younger brother getting his daughter-in-law remarried, he loses it. And tries to stop the wedding in typical filmi style, with a bellowing – ‘Ye shaadi nahin ho sakti'.

Interestingly, this very modern film follows the old school of filmmaking. So you have the super-rich North Indian family, sprawling mansions, beautiful, docile always-agreeable women in sindoor and mangalsutra. Still, it manages to be a supremely forward film. And a good film, largely because of Amitabh Bachchan, who's so convincing and lovable as Baabul, he has you in the palm of his hand. In his big, droopy eyes, you see his young daughter-in-law's pain reflected. And during his end monologue, you just want to get up and applaud. One of the lines has him thunder -`’e say that the practice of sati is over. But isn't denying a widow the right to live fully, equal to sati?'

Rani Mukherjee as Malvika shows up another award-winning performance after Black. In fact, in many intense scenes between Bachchan and Mukherjee, you feel the palpable connection and magic that the two brought together in Black. Complementing each other perfectly, and carrying the film on their shoulders, the two talent powerhouses are a treat to watch.

Salman's Avinash is an underdeveloped character. However the relationship between Avinash and Malvika is real and deep. This is a rare kind of on-screen romance, where the two are as much companions as they are man and wife. Keeping up its progressive tone, the film also shows Avinash attend pregnancy Lamaze classes with his wife saying that – ‘bache paida karna teamwork hota hai'. But the film falls back to old school again, and has the two break into song and dance, in open fields, without situation or warning. Again, while Malvika is a painter, who you feel would do a little more with her life post-wedding, she has her life revolving around karva chauth. It's good that she has a mind of her own, but what is she doing with it?

The music is ordinary and songs include the by-now customary Punjabi disco song, that's typically picturised with full family dancing alongside foreigner extras. The dialogues, save a few scenes towards the ending, disappointingly lack spirit, and do nothing to elevate the film. Director Ravi Chopra, credibly, again makes a film dealing with an issue. Baghban had one flinch a bit, at the stark black and white characters. By contrast, Baabul is a step up in trying to merge the old and the new.


Watch Baabul, for the story and brilliant performances by Amitabh and Rani. The three stars are largely for them.

Salman Khan not in a special appearance in Baabul

By IndiaFM News Bureau, December 7, 2006 - 08:32 IST

Baabul is scheduled to release tomorrow and everyone is eager to watch Ravi Chopra’s next presentation after Baghban. As we know, the film has a big starcast which includes Amitabh Bachchan, Hema Malini, Salman Khan, Rani Mukherjee and John Abraham.

However, there is a buzz in the media that Salman Khan is in a special appearance in the film. The fact though is that Salman Khan has a big role in Baabul. Informs Ravi Chopra, “Salman Khan has a full-fledged role in the film. He has a complete role in the first half of the film and keeps appearing in the second half of the film as a spirit.” Salman therefore, has sufficient screen space in the film.

Baabul is the story of rehabilitation of a young widow" - Amitabh Bachchan

By IndiaFM News Bureau, November 28, 2006 - 10:24 IST

Does the legend really need an introduction? Amitabh Bachchan has always encouraged new talent and innovative ideas that are important for films. Recently he launched the Baabul game for the internet. In an exclusive interview with IndiaFM, Amitabh Bachchan talks about Baabul and more.

What do you think about the new film promotion ideas like online games?
With new technology coming in and new inventions coming up obviously the marketing strategy has changed. How to present them and to make sure that a large number of people come in to watch films are made and every possible effort that goes into doing that. We are in a world where technology has progressed to a stage where you can access information and play games on mobile phones. If that promotes your film and you get more people to come and watch your movie then I think it’s wonderful.

Tell us something about Baabul.
Baabul is the story of rehabilitation of a young widow. A young girl in an accident and fate of fortune loses her husband. She is given an opportunity to relive her life on her own. I play a father who has lost his own son yet makes an every effort to see her happy. She is young and her entire life will get ruined if she doesn’t re-establish herself. He actually goes out, finds a mate for her and gives her a new life.

We are in a world where technology has progressed to a stage where you can access information anywhere.
Tell us something about your character in this movie.
I am father-in-law who goes out despite the fact that he has lost his son, he rehabilitates his own daughter-in-law. He is a business man. They (he and Hema Malini) have a family, they have son and daughter-in-law, a grandchild, an elder brother and a very conservative older family which is totally opposed to the idea of rehabilitating widows. They have a widow in their own house that goes into the same process of traditional, almost ostracisation which is not like by my character. I make every effort to even encourage that widow to participate in functions which is opposed by the elder brother. But eventually, how he gets to rehabilitate his own daughter-in-law by finding a mate for her is what the film is about.

How was it working with Ravi Chopra again?
We have been friends for a very long time. I have worked for him when he did his first film Zameer under the BR banner. After a very long gap we did Baghban now we are doing Baabul and there are several other films in the pipeline. So we share a wonderful experience on the set. We are almost of same age. We have daughters and grandchildren so it’s wonderful to work in such an atmosphere. We understand each other very well. We give inputs to each other that go into the enhancement of the film.

You have sung for the promotional music video. Tell us something about its music.
Well, I don’t know whether it’s a music or promotional video. There is a song that I have sung in this film, which is a theme song. They shot a video that we will use for promotion. We have just finished the shooting. Hopefully it will be out soon and you will like it. I like all the seven songs of Baabul.

Beware of Rani's driving: Sallu

Bollywood actress Rani Mukherjee turned stunt rider without intending to while learning to ride a motorbike for a new film.

Mukherjee's co-star, Salman Khan, who was teaching her how to ride a bike for a scene in "Babul,'' said the actress failed to listen to his advice. She released the clutch too quickly and pressed the accelerator, he said.

"The bike jumped a few meters high, and landed hard on the ground,'' Khan told a newspaper. "I have never seen anything like that in my life before.''

Mukherjee and the bike escaped without scratches.

The crew however was more concerned about the state of the bike, said Khan.

"It was a 10-year-old bike and was owned by a British guy, and he was extremely possessive of his bike,'' Khan said.

After the crash, Khan said, "We forgot about Rani and everyone on the set was looking at the British guy for his reaction.''

But Mukherjee's impromptu stunt startled even the bike's owner. Khan recalls the man laughed and said, "'Mr. Khan, I would sacrifice 10 bikes to see action like that!'"

In the upcoming film "Babul," Mukherjee stars alongside Bollywood veteran Amitabh Bachchan, who plays a father-in-law determined to marry her off after the death of her husband, played by Khan.

Salman Khan gives little children a treat to remember

Recently when Salman was shooting for his film ‘Baabul’ in the playground of a school, he was surrounded by children. The unit was busy setting up the scene and preparing for the shot. Meanwhile Salman was patiently waiting and suddenly decided to grab a bite. Salman was placing an order for a chicken burger, when a young kid asked him if he was going to eat alone and also told him that they all liked burgers. Salman then went into his van and after a while came out with a huge package and asked his man to distribute what was in the package to everyone. Director Ravi Chopra says “I was actually surprised to see that Salman had ordered burgers for everyone. He had ordered nearly 500 burgers and gave them all away to the kids in the school. He also ordered burgers for everyone in the unit. I think Salman is a really generous person.”

The kids at the school were extremely happy with Salman’s gesture and cheered him on during his shots; Salman too further indulged his little fans by smiling and winking at them.

Caution: Rani ahead!

Ram Kamal Mukherjee

Rani Mukherji pretends to know how to ride a motorbike, but ends up ramming into Salman Khan instead, while shooting
http://mumbaimirror.indiatimes.com/mmpaper...253547839a69eb1

Recently Rani Mukherji rammed her bike into her on-screen hero Salman Khan. No, Rani wasn't on a real-life rampage, she was merely trying to shoot a bike scene for Baabul.

Rani was required to ride a bike for a particular scene in the film. Now, the actress cannot ride a bike to save her life. Knowing that, director Ravi Chopra suggested that she take some training before giving the shot. But Rani felt embarrassed about not knowing a simple thing like riding a bike. So, to cover up, she insisted that she didn't need any training. "I can handle it," she said.

Co-star Salman Khan could, however, make out that Rani was nervous and that she wouldn't be able to handle the scene. Recalling the incident, director Ravi Chopra says, "Salman was sweet enough to offer Rani some help, but Rani pretended to be confident and insisted that she was a trained biker. We all were sceptical when Rani got onto the bike. She even pretended to check the brakes, etc," says Ravi.

Finally, Rani got ready to give the shot. She started off and began riding the bike at top speed. "She was supposed to come close to where Salman was standing and then stop. Since she started off well, we were all relieved. However, the ending was far from happy. Everyone in the unit was waiting for Rani to stop. Salman was standing at a distance. But the next thing we knew was that Rani had rammed the bike into Salman and toppled over," says Ravi.

"It was bad fall," Ravi continues. "Fortunately though, both Rani and Salman only received minor bruises. Initially, Rani was upset, but when she realised that everyone was laughing at her she too joined in."

Later, Rani apologised to Salman, but the actor took it sportingly. Apparently, a few hours after the incident Salman went up to Rani and told her, "Now you know why I wanted to help you... I was bothered about my life!"

It doesn't matter what the critics say - Salman

As actor Salman Khan gears up for the release of his film Baabul , Indiatimes correspondent Madhurita Mukherjee catches up with this controversy child to know his side of the story.

MM: Producers say that you have an amazing role in Baabul . What do you think of your performance?

SK: About my performance, when the film releases, it doesn't matter what the critics say, it doesn't matter what the press say. For me, what matters is what my fans say. People who are not my fans, and come and watch my films, what they say matters. It doesn't matter what I say. How can I say, "I've done a fabulous job with Amitji, Rani and John." I'll sound like the biggest idiot. Even though it could be true, you can't say these things.

MM:What is it about you, be it your co-stars or your fans, they completely swear by you. Preity can't stop talking about you and Rani in a recent interview said that you are the ultimate rockstar.

SK: This is something that you should get them on candid camera for (Laughs). But what can you expect. If you ask them, they are here to publicise a film or to promote a film, and I'm working with them. When have you ever heard a co-star saying, "You know what, he's an idiot! I hate him." On TV or in the press, anywhere? So, I'm really fond of them, and I'm sure the feeling is mutual. But I think that 'ultimate rock star' is thoda sa zyaada ."

Amitabh Bachchan in a Baabul music video

By IndiaFM News Bureau, November 21, 2006 - 09:10 IST

Baabul is all set to release early next month and director-producer Ravi Chopra is not leaving any stone unturned for the publicity of the film. Informs Abhay Chopra from the sets, “We are currently shooting a music video for Baabul featuring Mr. Amitabh Bachchan. It will be more like a promotional video for the film.” It is known that Big B has sung for the film and now a music video is being made featuring him. Continues Abhay, “The video will have Amitabh Bachchan and scenes from Baabul will be juxtaposed in it.”

The music video is being directed by Ravi Chopra and choreographed by Vaibhavi Merchant. It will be aired on television from next week.

Salman on 'Baabul'

Tuesday, November 21, 2006 03:54:29 pm

Superstar Salman Khan is all geared up for his forthcoming film 'Baaabul'. TIMES NOW's Niha Siddiqui elicits Salman's views on working with Amitabh Bachchan and also on working with John Abraham, an actor with whom Salman was rumoured to have had a tiff.

Salman also speaks about his equation with the BIg B and also his hot and cold relation with John Abraham.

Director Ravi Chopra's ''Baabul' boasts of a huge star cast, from superstar Amitabh Bachchan, to Rani Mukherjee, to Hema Malini, to salman khan, to John Abraham. You name them and you have all of them under one roof in this family drama.

Salman Khan who is best at emotional roles, plays the role of Amtabh Bachchan's son. as he comes together with the Big B for the second time after 'Baghban'. TIMES NOW finds out his views on their chemistry.

On Amitabh Bachchan, Salman said, "He is a living legend, I think he is the best to work with. Infact he's so good that he increases the other person's capacity, he lifts the performance of his co stars."

It seems like things have pretty much eased out between Salman and John Abraham, the actors were rumoured to be involved in a cold war over an issue that involved actor Katrina Kaif.

But as the saying goes that time is the best healer, it definitely holds true in this case. Salman seems to have forgotten the issue and is all praise for the young actor.

"He is damn good in the film. I had just two scenes with him in the film so i couldn't gauge his talent in those two scenes. But from what I’ve seen in the rushes, he has looked very good and has danced very well.", averred Salman.

With most of the cast repeated from the earlier Chopra film 'Baghban' and with all well on the sets amongst the actors, it looks like the audience will once again connect to this emotional family drama.

Big B to launch BAABUL

Amitabh Bachchan to launch “BAABUL” Mobile and Online Games on Tuesday, November 21, 2006 at 6 pm at JW Marriott, Mumbai. The whole “BAABUL” cast is expected to attend the event. The film is directed by Ravi Chopra and stars Amitabh Bachchan in title role with Hema Malini, Salman Khan, Rani Mukherjee and John Abraham. However, BAABUL will hit the screens this December.

BAABUL: A triumph of perseverance for The Big B

By Enkayaar, Bollywood Trade News Network

Among the many first that BABUL may achieve, one prominent first would be emergence of Amitabh Bachchan as a music director. He has composed one of the songs in the movie. It is triumph of a perseverance that has graduated from exercising the vocal chords way back in late 70s to 2006 when it has brought about the confidence to hold the baton as well. Amitabh has been lending voice as a playback singer to most of the compositions off-late on a regular basis to expositions of Dr. Harivansh Rai Bachchan far from the media glare in various meetings that he had been attending in the dusty mofussil towns of UP.  

It was with Kishore Kumar that Bachchan made his debut as a play back singer, crooning the absurdities with such a panache, and is a feat that, it is still difficult to emulate, rendering those absurd verses with such a consummate ease as he did. The consummate ease owed probably to being a son of an illustrious father, an accomplished Professor of English Literature, whose recitation of ‘Madhusala’ used to mesmerize the public. Then came MR. NATWARLAL, and, 'Ao Bachchon.. Mere Pass Aao Mere Dosto', which is, still a favorite of the children inspite of the changes in generation. It then became a regular feature and he was probably the only super star of his time who also used his own voice as a play back singer, be it in NASEEB or AALAP.

His confirmation as a singer was sealed with ‘Mere Aangne Mein’, which was scoffed at by the critics, but it became such a chart buster that AB had to do encore of its performances in various shows that he had taken during the earlier 80s. The ‘Chal Mere Bhai’ of NASEEB to ‘Pag Ghungroo Bandh Meera Nachi Thi’ of NAMAKHALAL were songs, which were performed on totally different octaves and still continued to become the chart busters, were indicative of the fact that AB was a serious student of music and a keen music aficionado. In fact in his heydays as a super star AB had remarked that he did not operate his music systems without wearing globes, so that the dust did not settle down on the system. And the ‘Jaha Chaar Yaar Mil Jayein’ of SHARABI is still a swan song for the stag parties. In association with Kishore Kumar the duets that Bachchan sang hit bulls eye every time. His blossoming as a singer was also to do with the fact that at those times he was majorly doing films with Manmohan Desai and Prakash Mehra who encouraged him to use his vocal chords for crooning as well, apart from dialogue delivery. Sudesh Bhonsle could make a career in singing only by imitating the voice of AB, and it was the ultimate tribute to the crooning abilities of AB.

The anthem song that he sung for MAIN AZAAD HOON, 'Itne Bazoo Itne Sar… was a tribute to the common man's struggle. ‘Jidhar Dekhun Teri Tasvir’ was may be ahead of its time in MAHAAN, but when it came in its modern avatar as ‘Main Yahan Tun Wahan… in BAGHBAAN it broke hearts as it carried the mellowing of the age and the rendition in synonymy with the age.

AB has been able to have his experimentation with his vocal chord for the soul reason that his voice is a voice of the common man, who may not have the ability to become a commercial singer, but have in his hearts an innate desire to crone to his beloved and his ilk in his own simplified manner.

Baabul to release with 120 prints in Mumbai

By Johnny Vaz
14 November 2006, 07:40 PM
MUMBAI: Director Ravi Chopra's Baabul starring Amitabh Bachchan,Hema Mailini, Salman Khan, John Abraham and Rani Mukherjee will be released in Mumbai with 120 plus prints on 8 December.

Bharat Shah who is releasing Baabul in Mumbai says, "We are going to release Baabul with 120 prints in Bombay circuit. We are even adding digital and UFO prints of the movie. We have also singled out good multiplex screens in Mumbai city, the suburbs and Thane."

Made under the banner of B.R. Films, the film has been produced by B.R. Chopra and directed by Ravi Chopra. The other cast include Om Puri, Aman Verma, Parmeet Sethi, Rajpal Yadav, Smita Jaykar, Beena, Avtar Gill, Vaishnavi and Gargi Patel.

The film is scripted by Dr Achala Nagar with Aadesh Srivastava providing the musical composition, whereas the lyrics have been penned by Sameer.

Baabul - A father's fight for his daugther

Exclusive by Joginder Tuteja, IndiaGlitz [Monday, November 06, 2006]

B R Films have been associated with making socially relevant films for half a century now. Last film coming from their stable was 'Baghban' which turned out to be a phenomenal success when released. Film's success was special because it came at a time when the trend of making money in the first couple of weeks was just about catching up in India whereas 'Baghban' didn't really set the cash registers ringing in the first few days. Later, it was due to audience's nod of approval that the film rose from strength to strength and word of mouth ensured that 'Baghban' continues to be one of the most talked family films even today. This time around director Ravi Chopra picks up the issue of widow-remarriage and creates a film with his 'Baghban' cast of Amitabh Bachchan, Hema Malini and Salman Khan.

Kapoors were a happy family. In fact one of those ideal families where nothing could go wrong and everything was just perfect. The family was headed by multi-millionaire businessman Balraj Kapoor [Amitabh Bachchan] and his wife Shobhana Kapoor [Hema Malini]. Apple of their eyes was their only son Avinash [Salman Khan] who had returned from abroad after his studies and now wanted to be with his family in India.

Balraj Kapoor was a dream husband and father for Shobhana and Avinash. He used to pamper them, tease them, have fun and enjoy life and the luxuries it got along with it. A progressive man who believed in equality for all and always took the side of right in the face of toughest of diversities, he knew how to do the balancing act when it came to his family and responsibilities.

For Shobhana, Balraj and Avinash were the two men who were the pillars of her life. As much as she used to chide them for their playful ways, in her heart she only had love and affection for them. On the other hand Avinash was pretty much boy-like who was innocent at heart which used to beat for Malvika a.k.a. Millie [Rani Mukherjee]. A girl of today who knew the importance of friendship and love and the real value and meaning of each of them, Millie's other love was painting. She could be found fighting with the ones closest to her but even they knew that it was out of her love for them than anything else.

With everything seemingly perfectly placed, the next logical thing for the family was to marry Avinash and Millie. While for each of them this was a moment of their lives, for one person this was a moment of joy as well as pain. He was Rajat [John Abraham], a singer, who was always in love with Millie but couldn't express it to her in spite of the two being the best of friends. And now with the love of her life going away to someone else, he could only feel sad for himself and happy for her! He was off to Europe to get immersed in his musical career.

Months passed by and Chopras were set to have celebrations time again with the birth of Avinash and Millie's son - Ansh. But were the celebrations meant to last long? Or did destiny had some other plans for them?

Kapoors were handed over a cruel blow as Avinash was killed in an accident. Balraj, Shobhana and Millie were in an unbearable state and the world seemed crashing down for them. The only factor that helped them survive the catastrophe was Ansh.

With an unpleasant situation like this and no respite in the future, a thought struck Balraj. And this was a thought that was going to be a life changing experience for everyone involved. He was left wondering that why didn't Millie have a right to a better future ahead? Why did she have to let a whole life in front of her just go as fate had decided for her? Why did Ansh have to be without a father for an entire life?

Why couldn't Millie remarry?

A noble thought indeed but an issue which would find a difficult solution. Will there be support of any kind from even the ones who are close to him?

The first hurdle that he faced was from Millie herself. After all she was a girl who believed that love and marriage happened only once in a person's life. And how about Shobhana? Attached to her son, even she wasn't a woman who could take so kindly of her daughter-in-law to get married to someone else? And the worst opposition came from Balraj's elder brother Balwant [Om Puri], a man attached to his roots and tradition, who was settled in rural Punjab with his family and his widowed sister-in-law and couldn't even imagine walking through such a progressive path!

What would Balraj do from here? Would he allow his daughter-in-law to resign to her fate? Or would he take a step as if he was her own father, baabul, and challenge the society for the traditions and superstitions it has created? Will he be able to defy his own family, let alone the society?

A soul stirring drama that promises to raise a lot of questions and act as an eye opener for the society we live in, 'Baabul' also stars Aman Verma, Parmeet Sethi, Rajpal Yadav, Smita Jaykar, Avtar Gill, Gargi Patel, Sharat Saxena and Vaishnavi with music by Aadesh Shrivastav. The film releases all over on December 8th.

Movie Preview: Baabul

Amitabh Bachchan as Balraj Kapoor
He towers over everybody – in his thoughts, in his wisdom, in his sheer presence! A loving husband, an adoring father and an extraordinary father-in-law, he always puts right before wrong, never mind if he has to stand tradition on its head.

Salman Khan as Avinash Kapoor
He may lie to win his love, but would die if so much as a tear escapes her eye. He’s charming, loving and good looking. No wonder, knowing him is to love him.

Rani Mukherjee as Malvika Talwar
She loves to paint. Loves to fight. Loves to love. Knows the difference between friendship and love and is convinced that love and marriage happen once in lifetime.

John Abraham as Rajat
His love is silent, he expresses all his pent up emotions through his songs. He loses the girl he loves, but is more concerned about her happiness than his own heartbreak.

Hema Malini as Shobhana Kapoor
She loves and is loved by both the men in her life – husband and son. She may laughingly admit that both of them are “a total loss”; but her world revolves around them.

Om Puri as Balwant Kapoor
He is the big brother, the head of the family. Tradition and convention are the pillars that support his family honour and reputation and he will go to any length to uphold that.

Storyline

Balraj Kapoor (Amitabh Bachchan) is a rich businessman with progressive modern outlook towards life. For him, family, culture and values are of utmost importance. Shobhna (Hema Malini), his wife is more than just his better half. Together, they dote their only child Avinash (Salman Khan). For Balraj, Avinash is more of a friend than just his son. After spending many years abroad for studies, Avinash returns home to his parents. Their lives light up and there is happiness everywhere.

Avinash then meets the pretty Millie (Rani Mukherjee) who is a painter. They fall in love and get married. They are blessed with a lovely child named Ansh. Rajat (John Abraham) a young musician and the best friend of Millie, had his feelings for Millie but had never revealed it to her. He is now happy for Millie and Avi. He decides to settle in Europe, pursuing his musical career.

Fate plays a cruel game and one day Avinash meets with a fatal accident. Life without Avinash is unbearable for Millie. Meanwhile Balraj and Shobhna try to find the love of Avinash in Ansh.

Balraj cannot bear to see Millie’s colourless life. He decides to find Rajat and asks him to marry Millie and help him bring back the colours back into her life. But Balwant (Om Puri), Balraj’s elder brother settled in rural Punjab with his family and his widowed sister-in-law objects to Balraj’s plans. Even Shobhna may not be with him this time.

Will Balraj be able to fulfill his plan?
Will he be successful in this test of love?
Will he prove to be a father (Baabul) rather than being a father-in-law?
What questions will be raised by his actions and how the society will react to it forms the story that Baabul is all about.

It's Hema and Sallu on the dance floor!

Salman comes to Sameer's rescue

Music Launch Of Babul

Babul Special

BigB Hema steal the show

Big B, SRK, Salman, Abhishek, Rani, John at G.I.F.A.

By Taran Adarsh, October 27, 2006 - 05:24 IST
Popcorn Entertainment and One Big Option, under the aegis of Tourism Malaysia and under the kind patronage of YABhg Datin Paduka Seri Rosmah Mansor, will hold the Global Indian Film Awards 2006 in Kuala Lumpur, Malaysia between 7th and 9th December this year.

Here’s some inside info on what’s in store this year…

BAABUL will be premiered at TGV Cinemas, KLCC in Kuala Lumpur. The entire cast is expected to participate.

The awards function [on 9th December] will have performances by SRK, Salman Khan, Abhishek Bachchan, Priyanka Chopra, Katrina Kaif and Amisha Patel. Arshad Warsi and Amrita Arora will be the Master of Ceremonies.

A celebrity football match, fashion show, auction and charity dinner will be held on 8th December.

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